Date Released : 10 November 2006
Genre : Crime, Drama
Stars : Brian Neal Lucero, Jimmy Adamson, Chris Alan, Katie Marie Bailey." />
Movie Quality : BRrip
Format : MKV
Size : 870 MB
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Captivating drama of a lovable little Irish girl and how she helps her tippler father find work.
She's cute, spunky and saves her family
(Screened on TCM, May 29, 2008)
It's another hard day on the job for Mike McNeil, who sways unsteadily as he fits a mast high in the air above a shipyard in Belfast, Northern Ireland. The shipyard owner, Mr. Lord, takes notice and upbraids the luckless lad, blaming booze for his troubles. Sure enough, when the whistle blows to end his shift, Mike heads straight to the pub, downs two double shots of whiskey -- and orders two more.
These are not happy times for Mike and the same goes for his wife, Elizabeth, and children, Michael and Jacqueline, in the family melodrama "Jacqueline." Mike's life is bearable thanks to the apple of his eye. He dotes lavish love and attention on Jacqueline and she returns it in spades. She stands up to the neighborhood kids who gather around Mike to jeer and taunt him when he staggers home after from the pub. At school, she's spurned by classmates when she spins improbably tall tales, not the least of which is that her Daddy never touches a drop. From the perspective of half a century later, we would say she's over-compensating to boost her self-esteem.
In the end, she proves she can stick to Daddy's side through thick and thin and clears the way for his redemption. She even takes a pledge of her own -- to stop stretching the truth. Mike's obstacles are the bane of many a family man at least every Irish family man: he's tempted to drink at risk of job and family. Audiences will have little doubt all these pitfalls await poor Mike before he and daughter manage to work things out.
In "Jacqueline," Roy Don Baker, the noted British director, works with a marvelous cast but somehow can't wring much of an emotional punch from the script by the credited group of writers. Scenes that unfold around celebrations marking the coronation of Queen Elizabeth II neatly time-stamp this as a slice of everyday working-class life in Belfast in 1953; instructive, but as an effort to capture the universal human condition, this movie falls sadly short.
Robert Osborne's brief commentary after a recent airing on TCM indicated that even Baker wasn't very happy with this picture because he had to step in for another director late in the game, and apparently there was a problem getting the largely Catholic cast to portray Protestant characters. For whatever reason, the crises that develop in "Jacqueline" are too thinly sketched.
We learn that Mike (John Gregson) is unhappy in the city because he's a good cattleman but jobs on the farm are scarce. Alas, who wouldn't be driven to drink because he'd rather muck stalls and deliver calves than punch a clock and struggle with dangerous ship-rigging? Aside from that powerful thirst, Mike's chief antagonist is his mother-in-law, Mrs. McMullen (Josephine Fitzgerald), who not only encourages her daughter to leave her husband, but also tries to set her up with the well-off bachelor who used to be sweet on the girl. In Ireland, all's fair in love, war and motherly meddling.
But the great problem here is that the characters don't seem to be under much great tension. Alas, great tension requires comic relief and there's little of that too.
One of the main subplots is son Michael's ambition to get into prep school, and Mike's actions make him seem almost callously indifferent toward the boy. At the same time, we see that the family is three weeks behind the rent and a good chunk of the budget goes to support Mr. McNeil's weakness, but there's still enough in the sugar bowl to provide Jacqueline with a closet full of pretty, fashionable frocks.
The title character is Jacqueline Ryan, the daughter in real life of actress Kathleen Ryan, who plays the Mom, Elizabeth. Kathleen is a very attractive woman and here she infuses effervescence into her role that doesn't quite match the tone audiences might expect. As for Jacqueline-the-actress in her only film credit on this website, she was certainly a cute 9- or 10-year-old in her blonde Buster Brown-style cut, but she doesn't bring much poise to Jacqueline-the-character. In a pivotal scene in which she has to sweet-talk the stern Mr. Lord (the era's ubiquitous Liam Redmond) into giving Daddy a break, little Jackie literally keeps dropping her drawers to bring in the subtext that she's using her feminine wiles to bend the old man to her will. Angela Cartwright would have done the job with a wink, a wiggle and a coo.
Still, the movie is worth watching on many levels. Film students can imagine how the script and production could have been beefed up to endow this with a stronger spine and make it vastly more rewarding. And then there's the cultural setting: This reviewer's wife is an Irish girl (folks from Clare and Tipperary) and he thinks anybody who enjoys watching cute Irish girls and their family dynamics will get a lot out of "Jacqueline."

Routine B Britflick
I recall seeing this on the BBC one Saturday morning and have never seen it since. The presence of Hartnell as a water bailiff was enough to spark by interest but he has few scenes. The bulk of the narrative falls on wily poacher Donald Houston as he is enlisted by enemy agents Anton Diffring and Alan Cuthbertson (not to mention Delphi Lawrence) to smuggle them across to Europe before they're arrested for murder - they shoot a security guard in the opening scene as they steal secrets from an office. A pleasant if unremarkable time-waster with a surprisingly brutal fight at the climax between Houston and the baddies - he gets the girl at the end. Its astonishing that such an obvious B quota quickie should attract such a decent cast but its a pity we don't have the film industry to churn out such films nowadays.

A propaganda film intended to highlight the growing problem of juvenile crime. Jane Koberly, present during a robbery, is falsely convicted of being an accessory. While being taken with her companion, Terry Marsh, to an industrial school on the week of Thanksgiving, Terry's boyfriend springs them both. With the police hot on their tail, they take over a farmhouse and terrorize the family within (the Grants) while waiting for a co-conspirator to arrive with money and transport. While waiting, the boyfriend becomes more psychotic as Terry starts putting the moves on the Grants's son (to make some kind of point), and Mr. Grant takes solace from the Bible.
Ma and Pa Kettle Meet Killer Teens
The "teenagers" in this crime wave are all at least 25, with Sue England clearly over-age. But it doesn't much matter because the movie never really gels. Tommy Cook strikes the tough- guy poses, but despite the energetic effort can't work up a convincing menace or snarl to go with it. Too bad a Jan Merlin or a Nick Adams didn't have the part. Then too, I wonder what the story is behind Mollie McCart. Her acting is uneven at best, still she does present an interesting screen presence. Her meager credits look like she left acting after a brief fling. Nonetheless, with more seasoning, she might have developed into an actress of note. However, both look like Oscar candidates next to poor Frank Griffin who appears too petrified to register anything but a frozen stare. Rarely have I seen anyone so clearly uncomfortable performing on screen. No wonder he switched from acting to Hollywood make-up man.
1955 was the year teen sub-culture emerged with rock music, James Dean, and Elvis. Drive- in movies were catching on with both youngsters and movie-makers, a niche Roger Corman would exploit to the hilt. Actually, this Columbia release plays like a drive-in special with its emphasis on sex, fast cars, and juvenile delinquency. It's also cheaply produced, the screen time mainly confined to the drab farmhouse. I expect producers recognized this and tried to compensate with the boffo climax at the Griffith Park Observatory. The staging is pretty contrived, but does make for an interesting backdrop to the chase scenes. It looks like the classic Rebel Without a Cause and this movie were made about the same time, and I wonder which had the Observatory idea first since both use it. My guess is that fast-buck artists at Columbia anticipated Rebel's success and sought to ride the coattails. Anyway, the film blends two popular movie topics of the timehome invasion and juvenile criminality. Beyond that, there's little to recommend, except maybe a few laughs. (In passingslight correction in another review: the Fugate-Starkweather murder spree was 1958, three years after this movie.)

The trouble with Josephine is that her ever-loving and over-sympathetic nature leads her to switch from needful men to even more needful men...
Josephine and Three Men
Josephine Luton was the making of two men: one by jilting him and the other by marrying him. However, when the first turns out to be legally responsible for embezzling half a million pounds, he hides out with his ex-fiancée and her husband....
Like many of the Boulting Brothers' films, this one turns out to be dramatically too neat to survive their handling -- their specialty was angry-young-men comedies in the era, and the structure of this one is definitely stagy. However, as their movies were very fashionable, they usually managed to assemble great casts, and this one is no exception, with Jack Buchanan as Josephine's rake of an uncle, serving as commentator on the action, the always engaging Glynis Johns -- as the titular Josephine -- and Peter Finch as two of the leads.
It's not a great movie, but the cast manages to milk their roles for everything they're worth.

A young shoemaker is arrested for stealing a small amount of money, and is released after being jailed for 15 years. He wants to have a pass to get a job and start anew, but without a job he doesn't get a pass; and without a pass, he doesn't get a job. He gets into the net of Prussian bureaucracy, and can't see a solution. Until he enters a small Second-Hand Shop, and sees a Prussian Uniform that fits him like a second skin...
One of the most difficult roles
If stage is included, this play has been the first real caper movie with a smart and sympathetic robber and and a weak but unbeatable seeming system, which is able to give him no options in his normal life, than to beat the system with it's own weapons. The real case of Wilhelm Voigt is as legend in and around Berlin. Zuckmayer's play is one of the best of it's time. I've seen it on stage several times in several towns and countries, but Rühmann is not to defeat. No one else did the job that good, than he did, seeming to be a tall guy, when he was just a small one, being impressing, when he didn't even knew how to handle his own life, giving the money back to prove the faults of the system or just to get a passport. If you like caper movies, just check out, what brains of them might have seen before...

A down-and-out gangster hires an alcoholic press agent to make his blonde bombshell girlfriend a recording star in 6 weeks. But what is he going to do when he finds out that she has no talent? And what is going to happen when the two fall in love?
Uproarious Showbiz Send Up
One of the just plain funniest satires. Frank Tashlin has fun with and merrily tears apart our obsession with big boobs, celebrity, gangster films, the aburdity of Cinemascope and just about anything else in the line of fire. I avoided this film for years, thinking it would be trash. It is instead a very smart film about our love of trash. Tom Ewell is just great as the erst-while agent, literally scared for his life. Jayne Maynesfield is Jayne Maynesfield and, believe me, it is acting. Edmund O'Brien gives one of the most hilarious, over-the-top performances ever. A perfect farce performance of some one who thinks he is much better and important than he is. And the rock numbers in it are priceless. If you are fan of early real rock, see this film. The REAL rock 'n roll.