Date Released : 29 May 1981
Genre : Horror, Thriller
Stars : Dorman Borisman, Lydia Kandou, Barry Prima, Rudy Salam." />
Movie Quality : BRrip
Format : MKV
Size : 870 MB
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Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.
Interesting observation of a declining trade
This is a series of vaguely connected episodes set in and around a geisha house. Staff come and go. There are money transactions between everybody. Naruse knows this area to perfection and uses this knowledge and some tremendous actresses to portray both interesting day to day details and some of the major issues. Linked themes are the ending both of careers and of businesses in the context of a decline in the popularity of geishas and their traditional entertainment skills in post war Japan. Even less than in other Naruse films, there is little depiction of the geisha with clients and more about their 'off stage' lives.
As ever, Naruse's camera-work and editing is tremendous in capturing scenes and actions.

Estrella, a wild young woman, is lusted after by every man and therefore hated by the female community.

Ray Henderson joins Buddy De Sylva and Lew Brown to form a successful 1920s musical show writing team. They soon have several hits on Broadway but De Sylva's personal ambition leads to friction as the other two increasingly feel left out of things.
Middle-drawer Fox musical...not a predictable place to find Ernest Borgnine!
Working-stiff family man Ray Henderson, a piano player who dabbles in songwriting, meets struggling composers Buddy De Sylva and Lew Brown in 1920s Atlantic City; their musical partnership, formed by chance, evolves into a successful team which reaches the heights of Broadway and Hollywood. Biography of colorful tunesmith-trio who had hits with Al Jolson's "Sonny Boy" and the novelty numbers "Button Up Your Overcoat" and "Sunny Side Up" is nearly run into the ground by meandering musical routines which simply are not up to previous 20th Century-Fox standards. The casting also seems off: as the mercurial Brown, it isn't long before Ernest Borgnine loses his proverbial temper, yet his transitions from angry brute to dancing maestro have no resonance (the character never takes shape); Sheree North is the songbird who seems bound by faith to the three guys, though it's obvious her singing and dancing isn't as special as it's meant to be. As peace-keeper Henderson, Dan Dailey looks a bit sheepish at times (particularly in the "Overcoat" number), though Gordon MacRae as the overtly-ambitious De Sylva is nicely attuned to this milieu (and, for once, MacRae's baritone isn't over-worked). The production is glossy but lacks pizazz, while the uncertain path post-Hollywood isn't used to give the story an arc, only to point us to the formulaic happy ending. ** from ****

In 1780 Major John Boulton is recruited by Colonial intelligence as a counterspy who will feign desertion to the British forces. His mission is to discover the identity of an American traitor with the code name Gustavus. Although prominent Tory Dr. Odell suspects Boulton of being a double agent, the spy wins the friendship and respect of British spymaster Major John Andre and, in doing so, discovers that the traitor is none other than American hero, General Benedict Arnold, who is planning to surrender the key colonial position of West Point to the English.
Ordinary film portrait of an extraordinary man
Although Cornel Wilde gets top billing as an American double agent, the true star of this film is Major John Andre (Michael Wilding), the British officer who was captured as a spy and hanged for his plot with Benedict Arnold to betray West Point. Unfortunately the acting is wooden by almost everyone, so a good story and some interesting moral dilemmas are hard to hit home.
My one and only favorite American Revolution film is John Ford's classic "Drums Along the Mohawk" (1939). "The Crossing" (2000) runs a distant second. Most of the rest, like "The Devil's Disciple" (1959), "The Howards of Virginia" (1940), and "John Paul Jones" (1959) are merely OK and some, like The Patriot" (2000) and "Revolution" (1985) are just plain silly. The Disney "Ben and Me" (1953) is entertaining and historically accurate (forgetting the mouse). The TV mini-series "The Adams Chronicles" (1976). "The Revolution" (2006), and "John Adams" (2008) are probably one of the best sources about the period. If you like Pre Revolution 18th Century American history, Michael Mann's breath-taking "Last of the Mohicans" (1992) is a great film from this period, as is King Vidor's "Northwest Passage" (1940).

Quietly moving film
Strawberry Shortcakes tells the story of two pairs of women: Akiyo, an escort/prostitute, and Satoko, receptionist at Akiyo's escort agency. On the other hand we have Toko, a graphic artist who rents a room to office girl Chihiro.
The film looks at the idea of loneliness in the big city, where meaningful relationships are difficult. Akiyo wants to commit suicide because the man she loves isn't interested in her. Satoko dreams of being loved by anyone but her creepy boss. Toko tries to forget her former boyfriend by immersing herself in her work, and Chihiro hopes to marry a selfish loser.
As the film progresses the two pairs of women make friends: Akiyo and Satoko on the one hand, Toko and Chihiro on the other, and as the friendships develop the need to find love/marriage becomes less important.
Slow, deliberate and revealing, I found this film one of the most moving films I have seen in the last few years.

Four astronauts returning from mankind's first mission to Mars enter a time warp and crash on a 26th Century Earth devastated by atomic war. Our heroes meet with hideous mutant cavemen, giant spiders, love-struck beauties in short dresses, and jealous old geezers in sparkly skullcaps as they struggle to save humanity and build a new world.
It is a little corny
Yes this movie is a little corny, but most of the sci-fi/horror movies of that time were corny, but still fun to watch. And this movie still has a good underlining story. The astronauts find themselves in another world from the one they left, their families and homes are gone and mutants attack them. Then they find another race like their own. And after fighting the mutants and the others they work together to start to rebuild the Earth. Corny but good.