Watch The Burglar (1957) Online

The Burglar (1957)iMDB Rating: 6.8
Date Released : 1 June 1957
Genre : Film-Noir, Thriller, Drama
Stars : Dan Duryea, Jayne Mansfield, Martha Vickers, Peter Capell
Movie Quality : BRrip
Format : MKV
Size : 700 MB

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Dan Duryea and his cronies rob a fake spiritualist and then take it on the lam to Atlantic City.

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Review :

Quietly outstanding noir

Henry Hathaway's movie The Black Rose concerns a Saxon squire who travels to China and back again during the Middle Ages encountering marvels, romance and adventures along the way. It's a pretty and fun Technicolor movie containing a soupçon of rapture. On an intellectual level it can be fairly piffling until close to the end when the Norman King of England refuses to persecute the rebel Walter any longer, recognising that his animosity towards Normans is far from treason, but just a political manifestation of something very personal, conflict with his father. It was an eye opener to me at the time, how much Freudian issues play a subliminal part in our politics. This sort of mature perspective is to be found in The Burglar. It represents an opening up, an efflorescence of noir, typical of the late era (Mickey One, Blast of Silence). In noir authority is often an oppressive force, but in The Burglar, there's the suggestion that it's not the authorities and the system that pre-figure our doom, but our upbringing. It's up to you though, there's leeway for you to see it either way. Who's the enemy is it dad or Big Brother?

In one scene, seemingly totally unconnected from the rest of the film, Nat (The Burglar - Dan Duryea) mooches around the precincts of the Philadelphia Museum of Art, and is seen sitting directly below the statue of John Barry, the first head of the United States Navy, in Independence Square, three miles away, just moments before. In sight is Independence Hall where the Declaration of Independence was signed. The locations are deserted and he's watched over by some sort of passant sculptural beastie and towered over by fluted columns. Are these relics of the past or an overarching system and structure in which he's alternately powerless and hounded or irrelevant? Does the beastie see him, or is it just a charming piece of stone and is the indelible stain of Dad the issue he can't rub off? I saw a film Paul Wendkos made decades later, Hell Boats, and there was a general ambivalence there as well, which I find very stimulating and mature. There are no easy answers to The Burglar. Although I've mentioned Freud, The Burglar isn't one of those annoying movies that are dogmatically Freudian snoozers; the conversations surrounding the past all come off as extremely natural in effect.

A little tardily, onto the plot! A bunch of small time burglars figure they can up the ante and go for some sparklers. It doesn't take a genius to work out that fate's cosh is waiting for each of them in the shadows one way or the other. Dan Duryea's lead is the standout, but you gotta feel sorry for Peter Capell's hyperactive pop-eyed lookout Baylock. Scared of his own shadow he dreams of owning a plantation in Central America, he hysterically calls it buying "ground", as if what he stands on the rest of the time is something that might open up and swallow him at any time. It's just so clever how this movie grinds out a noir atmosphere with slight tricks of vocabulary.

Even loving this movie with all my heart, I must admit that a relevant criticism for many genre fans wondering if they should watch The Burglar or not is that it lacks thrill in the middle section of the film, principally because Nat has a death wish and isn't putting up much of a fight. Things pick up for the finale on the famous Atlantic City Steel Pier, which comes off as a merging the skews of Lady From Shanghai and Mickey One.

Wendkos' film should have lead to a glittering career, but more meretricious aesthetics triumphed.